However, the Dynamics Module slightly falls short of the Compressor in Neutron 3, which has slightly clearer waveforms and a useful Threshold control superimposed over the waveform itself. The analysers and meters are also much smoother, which makes them easier to read. Visually, everything is made better and clearer by the fact that you can now resize the window to fill the screen, making it easier to see waveform details and things like the gain reduction on the Maximizer.
You also get additional built-in tools such as the Codec Preview, the ability to load and toggle reference tracks, bypass gain matching and extensive Dither controls.
The modules include the aforementioned Vintage processors and new effects (more on these shortly), alongside two EQs, a Dynamic EQ, multiband Dynamics, multiband Exciter, multi-band Stereo Imager, Maximizer and Spectral Shaper. The main Advanced version of the plug-in features a total of 15 modules that can now all be loaded together into a mega channel strip, which is a significant improvement compared to Ozone 8’s measly six slots (although your computer may hate you for loading all 15). Ozone 9 is available in Elements, Standard and Advanced versions, with the latter including some extra features, modules and break-out component plug-ins.Īs with previous updates, some of the older modules including the Vintage EQ, Compressor, Limiter and Tape have now been made available in the Standard package, making it an even more appealing proposition. I’ve been using Ozone since version 3 and it’s been reviewed in these pages many times over the years, so I’ll keep the synopsis brief and skip to the new and exciting bits.
There’s also the standalone version for those that want to master outside the DAW.
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